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dc.contributor.advisorJervis, Ian
dc.contributor.advisorBoberg, Ingrid
dc.contributor.advisorRanderson, Janine
dc.contributor.authorPlumb, Alex
dc.date.accessioned2015-05-19T01:19:38Z
dc.date.available2015-05-19T01:19:38Z
dc.date.copyright2014
dc.date.created2015
dc.identifier.urihttp://hdl.handle.net/10292/8733
dc.description.abstractThis multi-channel video project attempts to amplify questions about the psychological interplay between the subject depicted, the site of performance, and how the work unfolds in interaction with the viewer. By working in the space between the real and the imagined; the familiar and the unknown, an ambiguous other emerges. The work investigates a different type of rhythm - one that un-notices the seemingly normal everyday act, whilst drawing out the psychic dimensions that surround it. By amplifying this rhythm through a heightened filmic environment, the work aims for a moment of varying perspectives: a moment that continuously fails to arrive or cohere but is in an ongoing state of formation and exchange. This on-going tease or promise of unity and/or stability attempts to question the way the subject-viewer constructs a perspective of normalcy within the mundane.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectFilmen_NZ
dc.subjectVisual artsen_NZ
dc.subjectHyper-realen_NZ
dc.subjectGenderen_NZ
dc.subjectDomesticen_NZ
dc.subjectThe everydayen_NZ
dc.titleTopographies of the self: a community of othersen_NZ
dc.typeExegesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Art and Designen_NZ
thesis.degree.discipline
dc.rights.accessrightsOpenAccess
dc.date.updated2015-05-18T09:08:44Z


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