Browsing School of Art and Design by Date

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  • Engels-Schwarzpaul, A-C (The Association for Social Anthropology in Oceania (ASAO); 2015)
    No abstract.
  • Muratovski, G (Popular Culture Association of Australia and New Zealand (POPCAANZ); 2014)
    In the face of an underlying theoretical structure that links the subjects of propaganda and politics with architectural and design practice, it can be argued that both designers and architects often use ideologies ...
  • Piatti-Farnell, L (Aeternum; 2014)
    No abstract.
  • Jachna, T; McLafferty, E; Tzvetanova Yung, S (The Hong Kong Polytechnic University School of Design, Hong Kong Design Institute (member of VTC Group) and Hong Kong Design Centre; 2014)
    Successful collaborative design harmonizes diverse inputs from disciplines with often contrasting paradigms (Reay & Withell, 2013). Designers must respond to these challenges using both objective and subjective, quantitative ...
  • Charlton, J (Edicao; 2014)
    It seems that we are always waiting for screens. But what are we really waiting for? Treating the screen as an object of sculptural concern, this paper attempts to understand how inherent event-relationships might escape ...
  • Palmer; Engels-Schwarzpaul, T; Refiti, A; Melich, B; Tulloch, L; Jenner, R (Philosophy of Education Society of Australasia (PESA); 2014)
    In Aotearoa, how do we position ourselves within an academy pervaded by Western philosophical thought? During the 1980’s Post-structuralist theory was the main stay in my education as an architect. Although we live in a ...
  • Piatti-Farnell, L (Locating the Gothic conference; 2014)
    No abstract.
  • Kaiser, LJ (Otago School of Art and the University of Otago Centre for the Book; 2014)
    ‘Movable books’ is the term that best encompasses the wide range of paper-engineered books, and includes those with pop-up mechanisms. Movable books epitomise the work of art in book form and date back many hundreds of ...
  • Robertson, NA (The C. N. Gorman Museum, University of California, Davis; 2014)
    No abstract.
  • Young, A; Bill, A; de Freitas, N (School of Art and Design, Faculty of Design & Creative Technologies, Auckland University of Technology; 2014)
    No abstract.
  • Sinfield, D (Common Ground Publishing LLC; 2014)
    There is no disputing the fact that the Auckland Central Business District (C.B.D) is well positioned within the multinational corporate world community. While walking through the streets of Auckland’s C.B.D, one could ...
  • Sinfield, D (ePIC; 2014)
    Graphic design continues to be a growing area within education and mainstream industry, especially in emerging economies of third world countries. The trends within these third world countries, both at education and industry ...
  • Sinfield, D (The International Higher Education Teaching and Learning Association; 2014)
    This research project looked at the possibilities of engaging students and teachers in out-of-class communicating to enhance the learning and teaching environment and to involve graphic design staff working as a team to ...
  • Robertson, N; Ellis, N (World Indigenous Peoples Conference on Education (WiPC:E); 2014)
    Traditionally Maori carving has been regarded as depicting benign ancestors. However, when looked at more closely we can see these carvings as articulators of sex and power in Maori culture - from the choice of ancestor ...
  • Engels-Schwarzpaul, A.-Chr.; Simati, BK (Centre for Samoan Studies (CSS), the National University of Samoa; 2014)
    No abstract.
  • Smith, AE; Kalyanji, J; Fraser, G (School of Art and Design, Auckland University of Technology; 2014)
    Rapid advances in seamless knitting technology are opening up significant opportunities in the design, production and application of knitted textile preforms. Introduced in the mid 1990’s, seamless machinery enables shaped, ...
  • Clark, SJ (Milford Galleries Dunedin; 2014)
    No abstract.
  • Jackson, ML (TaPRA Theatre, Performance and Philosophy Group; 2014)
    This paper takes the context of responding to the film, Dark Light (2014) by Maria O’Connor, as a provocation to engage with aspects of the work of Jacques Derrida on the animal and the human. Dark Light develops as an ...
  • Yap, BL (DesignEd Asia Conference Secretariat, The Hong Kong Polytechnic University; 2013)
    The past two decades have witnessed design activities morphing from designing “posters and toasters”, towards strategic planning, system integration, innovation, and social transformation. Probably, no other discipline in ...
  • Douglas, C (The School of Art and Design, Auckland University of Technology; 2013)
    Auckland’s suburban streets are only intermittently places of public assembly, personal encounter, or common use. They are primarily part of an infrastructure of mobility and circulation: where cars and service vehicles ...

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