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Creating Elkwood: building an alternate history
(Auckland University of Technology, 2013)
This practice-led research project is concerned with ‘world creation’. I use the term to describe the construction of a fictional universe that is internally coherent. The project is specifically interested in the role of ...
Kaitiakitanga: Ki Runga Ki Raro
(Auckland University of Technology, 2012)
Nga Whenua: Maori ki tona ake ao Landscape: Documenting and developing a Maori World View The kaupapa of this project is to reconsider landscape from a Maori worldview. This project seeks to unveil nga whenua through the ...
Spaces between us
(Auckland University of Technology, 2008)
This screenplay is a fictional Coming of Age story of a young restless woman who, on an existentialist search for her inner self, investigates into the truth behind her famous grandmother's past, an anthropologist who ...
In the company of strangers: Negotiating the parameters of indeterminacy; A study of the roaming body and departure in urban spaces
(Auckland University of Technology, 2010)
This performance-based project scrutinizes indeterminacy as a mediating force impinging upon our behaviour and its subsequent impact on the nature and constituency of engagements and dialogue between people in urban spaces. ...
Shell Seekers
(Auckland University of Technology, 2011)
Lost and found in translation: Being Madeleine
This isn’t my life. This is the “screenplay” (book) I wrote about my life. Janet Frame (and me)
Shell Seekers is a coming of age story of a young part ni-Vanuatu woman ...
The Ark Project: an investigation into interactive environmental narrative
(Auckland University of Technology, 2011)
The Ark Project is a computer-based 3D first-person virtual experience. The project experiments with new methods of narrative and investigates storytelling in relation to interaction and 3D virtual environments. The Ark ...
Storytelling: circles and straight lines
(Auckland University of Technology, 2009)
Storytelling: circles and straight lines is a qualitative, retrospective analysis of my thesis (a collection of iconoclastic New Zealand short stories, entitled In Transit), in which I define the scope of my creative work ...
Vitality: a creative exploration of affection & scene
(Auckland University of Technology, 2011)
Affection and Scene [情景交融] is a philosophical concept in Chinese art practice which could be understood as a conceptual thought that transcends an artist’s embodiment of their emotions and internal responses to an environment. ...
A scope of human experience and memory
(Auckland University of Technology, 2007)
This project explores the notion of a world experienced and mediated through the image. The focus is on issues related to representation of that world to self through image-based narrative. Central to the creation of these ...
Locating interiority: text, image, identity, and the domestic
(Auckland University of Technology, 2008)
This thesis investigates ideas of interiority and thought in relation to the building of self identity. I express them through the visual means of text and photography, resulting in a conceptual self-portrait by way of ...

