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What is the experience of being both Māori and Pākehā? Negotiating the experience of the hybrid cultural object 

Grennell, Niki (Auckland University of Technology, 2014)
This dissertation addresses the question: “What is the experience of being both Māori and Pākehā?” and has as its subtitle: “Negotiating the experience of the hybrid cultural object.” The methodologies used are Kaupapa ...

Female Māori identity: a multimodal interaction analysis 

Matelau, Tui Moana (Auckland University of Technology, 2013)
Research into Māori identity has revealed cultural identities that neglect to include a large number of Māori and/or negative identities that are grounded in negative representations of Māori. Fluid Māori identity is an ...

Relinquishing and discovering self: a case study investigation of gamer identity in an online world 

Pötzscher, Mirko (Auckland University of Technology, 2011)
The purpose of this thesis was to gain a comprehensive understanding of implemented game design factors, various forms of identity creation, as well as the powerful hold of an avatar in the Massively Multiplayer Online ...

Hyphenated living: between longing and belonging, an exposition of displacement as liminality in the transnational condition 

van Dyk, Yoka A J (Auckland University of Technology, 2007)
This thesis explores a complex concept of home with respect to issues of belonging and displacement from both a personal and transnational1 perspective, which deals with the here in New Zealand and there in the Netherlands. ...

The return of the Polynesian Phantom 

Tapuni, Nooroa (Auckland University of Technology, 2009)
This research project, Return of the Polynesian Phantom, investigates self-portraiture through the mediums of moving image, digital modeling, object making, and installation. It seeks to consider in these media an ambiguous ...

Manu is my homegirl: navigating the ethnic identity of the Māori adoptee 

West, Emma Florence (Auckland University of Technology, 2012)
The adoption of New Zealand infants and children was such a prevalent practice in the 1960s and 1970s that it has been described as one of New Zealand’s greatest ‘social experiments’ (Else, 1991, p. 197). The secrecy ...

Mapping the self-portrait: navigating identity and autobiography in visual art 

Joe, Damen (Auckland University of Technology, 2007)
The thesis Mapping the Self-Portrait: Navigating Identity and Autobiography in Visual Art is a practical project. It explores the relationship between autobiography and self- portraiture, and how these notions of the self ...

Where do, I lie? 

O'Hara, Emily (Auckland University of Technology, 2012)
This research engages the creative practices of filmmaking, photography, spatial installation and performance. It culminates in a gallery installation of serial interlinking works that instantiate the question of identity ...

How do Chinese print media in New Zealand present ideas of Chinese cultural identity? 

Lin, David (Auckland University of Technology, 2007)
Two case studies examine and elaborate the idea of how the Chinese print media in New Zealand present Chinese cultural identity. The thesis examines the free Chinese newspapers given away in shops, supermarkets and other ...

Ko te awa tōku piringa ka puta, ka ora - he tangata, he whenua, he tangata whenua 

Mahuta, Dean P. S. (Auckland University of Technology, 2010)
The Waikato river is regarded as the ancestor of the Waikato people and an instrinsic element of the people's identity, who's name is derived from the river. The people and their river are inextricably connected. This ...
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AuthorAguirre, Alwin 1Crawford, George Keith 1Derby, Melissa Jane 1Dickson, Charlotte Danielle 1Emile, Renu 1... View MoreSubject
Identity 34
Immigration 4Culture 3Iwi 3Narrative 3... View MoreDate2017 12016 32015 32014 52013 32012 32011 42010 72009 22007 3

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