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dc.contributor.advisorHamon, Jan
dc.contributor.advisorGriffiths, Richard
dc.contributor.authorHardy Bernal, Kathryn Adele
dc.date.accessioned2011-11-01T03:22:44Z
dc.date.available2011-11-01T03:22:44Z
dc.date.copyright2011
dc.date.created2011
dc.date.issued2011-11-01
dc.identifier.urihttp://hdl.handle.net/10292/2448
dc.description.abstractMy thesis investigates complex issues implied by and connected with the Japanese movement known generally as Gothic & Lolita (G&L), focussing specifically on the Lolita fashion-based subculture and psychological motivations behind it. It discusses the transmigration of the movement’s ideas from Eastern to Western to Eastern societies, including differing cultural interpretations of “Lolita” and their implications in terms of the Lolita phenomenon, while examining ideologies in context with conflicting connotations and paradoxes that arise from a label that combines perceptions about “Lolita” with the “Gothic”. It also addresses the “Lolita Complex”, a term that stems from the narrative of Vladimir Nabokov’s Lolita and is applied to a syndrome affecting older men and their attraction to young girls, and explores its associations with the Lolita subculture. The Lolita Complex, as the title of this thesis, also refers to the problematic complexities connected with and inferred by the movement. This thesis is multi-disciplinary. Although the emphasis is related to Fashion (or Design) History and Theory, my research also spans the fields of Subcultural Theory, Gothic Studies, Gender Studies, Asian Studies and Anthropology. It leans, though, more to the “theoretical” side, while my methodological approach relates closely to Analytic or Psychoanalytic Art History, based on my education and training as an Art and Design theorist. As such, this study is an analysis of the Japanese Lolita subculture. It is my theory or my reading of this cultural phenomenon, supported by evidence to state the overriding argument that the Lolita movement is symbolic of and represents a generation of young women who refuse to enter adulthood and “grow up”.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectGothicen_NZ
dc.subjectLolitaen_NZ
dc.subjectKathryn Hardy Bernalen_NZ
dc.subjectAngie Finnen_NZ
dc.subjectJames Percyen_NZ
dc.subjectBevan Chuangen_NZ
dc.subjectDollsen_NZ
dc.subjectJapaneseen_NZ
dc.subjectFashionen_NZ
dc.subjectSubcultureen_NZ
dc.subjectPullipen_NZ
dc.subjectPaul Rogersen_NZ
dc.subjectManaen_NZ
dc.subjectMalice Mizeren_NZ
dc.subjectMoi Dix Moisen_NZ
dc.subjectGothlolien_NZ
dc.subjectAngelic Lolitaen_NZ
dc.subjectVersailles Philharmonic Quinteten_NZ
dc.subjectRazorBladeKissesen_NZ
dc.subjectPrincess Aien_NZ
dc.subjectPrincess Resurrectionen_NZ
dc.subjectRozen Maidenen_NZ
dc.subjectCossetteen_NZ
dc.subjectNabokoven_NZ
dc.subjectMoi-meme-moitieen_NZ
dc.subjectMetamorphoseen_NZ
dc.subjectKansai Yamamotoen_NZ
dc.subjectDavid Bowieen_NZ
dc.subjectVisual-Keien_NZ
dc.subjectHentaien_NZ
dc.subjectLoliconen_NZ
dc.subjectLoli-popen_NZ
dc.subjectAngelic prettyen_NZ
dc.subjectBotticelliangelen_NZ
dc.titleThe Lolita Complex: a Japanese fashion subculture and its paradoxesen_NZ
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Philosophyen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2011-11-01T02:05:04Z


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