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dc.contributor.advisorIngs, Welby
dc.contributor.advisorde Freitas, Nancy
dc.contributor.authorYe, Ching
dc.date.accessioned2018-02-09T03:30:11Z
dc.date.available2018-02-09T03:30:11Z
dc.date.copyright2003
dc.identifier.urihttp://hdl.handle.net/10292/11214
dc.description.abstractThis research project involves the generation and testing of a body of work that considers three design elements: (i) the colour [black], (ii) calligraphic type [regular script] and (iii) the grid [square]. The physical manifestation of this research was a series of visual documents. These visual documents generated from reflections on computerised Chinese calligraphic forms, consider the Oriental notion of a sense of stable harmony. This harmony results from a consideration of the creative interplay between repetition, regularity and rhythm in the Chinese stroke, the grid and the utilization of the colour black. The work deals with this idea as an essentially Chinese consideration rather than as a discursive analysis between Chinese and Western cultures. The practical research is accompanied by a written exegesis of approximately 11,000 words.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectNew Zealand arten_NZ
dc.subject21st centuryen_NZ
dc.subjectExhibitionsen_NZ
dc.subjectNew Zealand artistsen_NZ
dc.subjectExhibitionsen_NZ
dc.subjectChinese Calligraphyen_NZ
dc.titleBlack: The interplay between repetition, regularity and rhythm in the chinese strokesen_NZ
dc.typeThesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.nameMaster of Art and Designen_NZ
dc.rights.accessrightsOpenAccess


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