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dc.contributor.advisorPeters, Geraldene
dc.contributor.authorWilliams, Ursula
dc.date.accessioned2016-11-24T23:07:59Z
dc.date.available2016-11-24T23:07:59Z
dc.date.copyright2016
dc.date.created2016
dc.identifier.urihttp://hdl.handle.net/10292/10213
dc.description.abstractThis Masters Exegesis is a creative practice exploration of the ordinary/extraordinary life of Andy Stankovich: a scrap metal yard worker, a world-class boxer, and an Elvis Presley performer. The King is an observational documentary that follows the journey of Andy and his partner Glenys as they embark on their first New Zealand tour. The narrative of each social actor is constructed around the lead character (Andy Stankovich), framed through the perspective of the director (Ursula Grace). Certain themes emerged that were integral to the construction of the documentary narrative. Three themes, in particular, recurred throughout the crafting of this thesis: responsible representation, building trust/rapport, during reciprocal processes of listening and self-disclosure, and retaining authenticity during performance and representation. These ideas prevailed throughout all stages of conceptual and practical development.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectDocumentaryen_NZ
dc.subjectPerformanceen_NZ
dc.subjectResponsible representationen_NZ
dc.subjectAuthenticityen_NZ
dc.subjectTrust and rapporten_NZ
dc.subjectFilmmakingen_NZ
dc.titleThe King: A Documentary and Exegesisen_NZ
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Philosophyen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2016-11-21T09:25:35Z


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